Read JBL TiK Master Sub Service Manual online
To enable long impulses to be measured, auto-EQ uses a lower sample rate than the normal
audio sample rate. This is not a limiting factor for room equalisation, which rarely extends beyond
500Hz.
audio sample rate. This is not a limiting factor for room equalisation, which rarely extends beyond
500Hz.
Specification
Auto-EQ sample rate:
6kHz
MLS sequence length:
4095
Number of averaged sequences:
8
Maximum impulse response length:
682ms
FFT
length:
4096
FFT window type:
Raised cosine bell
Log-frequency domain resolution:
1/50
th
Octave
Number of EQ filters:
12
Main LF Compensation
Level Matching
Level matching is carried out prior to the first AEQ measurement. It is essential that the average
level of the sub is accurately matched to the level of the main system so that the combined LF
response curve lies within the limits set by the maximum allowed eq cut and boost . The process
is carried out in 4 steps: -
level of the sub is accurately matched to the level of the main system so that the combined LF
response curve lies within the limits set by the maximum allowed eq cut and boost . The process
is carried out in 4 steps: -
1. The DSP is loaded with a patch to realize the system in Fig.1. The main system gain
is ramped to a fixed level. The level from the Microphone meter is used to adjust the
output gain so as to achieve a reference level at the Mic (-12dBFS). This gain (
MainGainRef )is saved for later calculations, as is the difference between the final
meter reading and the desired target level(MainRefDiff). An FFT of the main system is
output gain so as to achieve a reference level at the Mic (-12dBFS). This gain (
MainGainRef )is saved for later calculations, as is the difference between the final
meter reading and the desired target level(MainRefDiff). An FFT of the main system is
then taken. The average FFT level across a range of frequencies, not affected by
room response, is measured (MainZeroLine ).
room response, is measured (MainZeroLine ).
Main Amplifier
preAmp
LineIn
SubOut
Sub Amplifier
MainAmp
PRBS
CalGain
Cal Out
Mic In
Level Matching Configuration
SubGain
SubAmp
Figure 1
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