AVR 132 - Harman Kardon Audio Service Manual (repair manual). Page 8

DOLBY DIGITAL

Available only with digital input sources encoded with Dolby Digital data. It provides 

Center: 0 ms – 5 ms

up to five separate main audio channels and a special dedicated Low Frequency Effects 

Initial Setting – 0 ms

channel.

Surround: 0 ms – 15 ms
Initial Setting – 0 ms

DTS 5.1

When the speaker configuration is set for 5.1-channel operation, the DTS 5.1 mode is  
available when DVD, audio-only music or laserdiscs encoded with DTS data are played.
DTS 5.1 provides up to five separate main audio channels and a special dedicated 
low-frequency channel.

DDOLBY PRO LOGIC II Dolby Pro Logic II is the latest version of Dolby Laboratory’s benchmark surround technology

MOVIE

that decodes full-range, discrete left, center right, right surround and left surround channels 

MUSIC

from matrix surround encoded programs and conventional stereo sources when  

DOLBY PRO LOGIC an analog input or a digital input with PCM or Dolby Digital 2.0 recordings is in use. The  

Dolby Pro Logic II Movie mode is optimized for movie soundtracks that are recorded with matrix 
surround, by creating separate center, rear left and rear right signals. while the Pro Logic II Music 
mode should be used with musical selections that are recorded with matrix surround or even with
normal stereo mode, creating separate rear left and rear right signals in any case.
The Pro Logic II mode creates compelling five-channel surround sound from 
conventional stereo recordings.

Logic 7 Cinema

Exclusive to Harman Kardon for AV receivers, Logic 7 is an advanced mode that extracts the 

Logic 7 Music

maximum surround information from either surround-encoded programs or conventional stereo 

Logic 7 Enhance

material. Depending on the number of speakers in use and the selection made in the 

SURROUND

SELECT

menu, the “5.1” versions of Logic 7 modes are available when the 5.1 option is chosen,

while the “7.1” versions of Logic 7 produce a full sound field presentation, including back surround 
speakers when the “6.1/7.1” option is chosen. The Logic 7 C (or Cinema) mode should be used 
with any source that contains Dolby Surround or similar matrix encoding. Logic 7 C delivers 
increased center-channel intelligibility, and more accurate placement of sounds with fades and pans 
that are much smoother and more realistic than with former decoding techniques. The Logic 7 M or 
Music mode should be used with analog or PCM stereo sources. Logic 7 M enhances the listening 
experience by presenting a wider front soundstage and greater rear ambience. Both Logic 7 modes 
also direct low-frequency information to the subwoofer (if installed and configured) to deliver 
maximum bass impact. The Logic 7 E (or Enhance) mode is an extension of the Logic 7 modes that is 
primarily used with musical programs and is available with the 5.1 surround mode option selected 
only. Logic 7 E adds additional bass enhancement that circulates low frequencies in the 40Hz to 120Hz 
range to the front and surround speakers to deliver a less localized soundstage that appears broader 
and wider than when the subwoofer is the sole source of bass energy.

DTS 96/24 

DTS 96/24 is a high-resolution format that uses a 96kHz sampling rate with 24 bits to produce extended 
information that improves the harmonics of the source material.
The AVR is capable of automatically detecting and decoding DTS 96/24 materials and delivering them as 
the artist intended.

DOLBY 3 STEREO

Uses the information contained in a surround encoded or two channel stereo program to 

No surround channels 

create center channel information. In addition, the information that is normally sent to the 
rear channel surround speakers is carefully mixed in with the front left and front right 
channels for increased realism. Use this mode when you have a center channel speaker 
but no surround speakers.

THEATER

The THEATER mode creates a sound field that resembles the acoustic feeling 

Delay time not adjustable 

of a standard live performance theater, with stereo and even pure mono sources.

HALL 1

The two Hall modes create sound fields that resemble a small (HALL 1) or

Delay time not adjustable

HALL 2

medium sized (HALL 2) concert hall, with stereo and even pure mono sources.

OPERATION

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